Legion gets the mystery box formula right where Westworld failed

Because of the rise of J.J. Abrams and the success of Misplaced, a big nook of style fiction has been in thrall to the “thriller field.” As Abrams said during that now-infamous TED Talk again in 2007, the thought of a thriller field represents “infinite risk.” It’s an attractive premise: any reader or viewer is of course compelled by the necessity to know what could be in a closed field, letting their creativeness run wild with the potential.

The issue arises when creators deal with the thriller field as an finish unto itself, when the thriller is confused for why individuals are invested within the story or franchise. Abrams himself betrayed the bounds of this specific sort of conceit when he stated, “I began to assume that perhaps there are occasions when thriller is...

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