Independent filmmakers don’t have a lot of security, but they do have a certain amount of freedom. Working outside the studio system, often on shoestring budgets and on personal projects, they have more leeway to barf their ids up onto the screen, sometimes with deeply bizarre results. The majority of the feature-length independent movies and VR projects that hit the Sundance Film Festival every year are looking for some form of traditional distribution, and are designed to appeal to some form of mass audience. And then there are the intensely idiosyncratic projects, the ones with feces-smeared dog-women and undulating ritualistic god-cats. Those are the ones we often remember from year to year, whether we want to, or whether we’ve been...
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